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Diego Velazquez
Count-Duke of Olivares (df01)
1622-1627
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Diego Velazquez
Christ and the Christian Soul (df01)
1626-1628
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Diego Velazquez
The Buffoon Calabazas (Calabacillas) (detail) (df01)
c 1628-1629
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Diego Velazquez
Democritus (detail) (df01)
1626-1528
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Diego Velazquez
Bacchus (df01)
1628-1629
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Diego Velazquez
Jose de Ribera (df01)
Archimedes (detail)
1630
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Diego Velazquez
Villa Medici in Rome (Pavilion of Ariadne) (df01)
1630
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Diego Velazquez
Villa Medici in Rome (Facade of the Grotto-Logia) (df01)
1630
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Diego Velazquez
Christ on the Cross (df01)
c 1632
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Diego Velazquez
Infanta Dona Maria,Queen of Hungary (detail) (df01)
1630
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Diego Velazquez
The Forge of Vulcan (df01)
1630
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Diego Velazquez
Study for the Head of Apollo in The Forge of Vulcan (df01)
1630
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Diego Velazquez
Joseph's Bloody Coat Brought to Jacob (df01)
1630
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Diego Velazquez
Isabel Clara Eugenia with Magdalena Ruis (df01)
Alonzo Sanchez Coello's student
c 1585
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Diego Velazquez
Philip IV in Broun and Silver (df01)
c 1631-1632
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Diego Velazquez
Philip II as an old Man (df01)
c 1590
El Escorial,Patrimonio Nacional,Monasterio de San Lorenzo
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Diego Velazquez
Prince Baltasar Carlos with a Dwarf (df01)
1631
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Diego Velazquez
Queen Isabel on Horseback (detail) (df01)
1634-1635
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Diego Velazquez
Philip IV on Horseback (df01)
1534-1635
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Diego Velazquez
The Surrender of Breda (Las Lanzas) (df01)
1634-1635
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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